Saturday, 27 December 2008

Myagi remix of Crystal Methods High Roller used in trailer for upcoming movie Push

Just a quick heads up that my remix of The Crystal Method's "High Roller" has been used in the upcoming movie "PUSH" - pretty stoked about that, it provides pretty much all the musical track for the trailer....check below!

Thursday, 18 December 2008

Johan Soh & Myagi "Still" ft Sandra Nagano

Check Beatport, DJDownload and Addictech for your copy of Johan Soh & Myagi "Still" with remixes by Beta and Stefan Goodchild. This unique collaboration deals heavy beats and the remixes are a real treat from the prog edged Beta remix to the dijointed breakbeat outing of Stefan Goodchild.







Beatport direct link to buy:
https://www.beatport.com/en-US/html/content/label/detail/600/sound_of_habib

Thank you for your support!

Thursday, 11 December 2008

New Karton release out now!

Check Beatport, DJDownload and Addictech for your copy of Karton "HiFi Show". Heavy club beats from down under with a quirky rerub from J Hazen.

https://www.beatport.com/en-US/html/content/label/detail/600/sound_of_habib

Thank you for your support!

Wednesday, 10 December 2008

High Eight Mix for download

Hi all! Just a heads up that I've just put up a new mix for download on my website. It's called my "Greatest Hits Mix", a very tongue-in-cheek title you understand, but basically a few people recently asked me to do a mix of loads of my own material, so here it is. It's a 70-minute collection of my tracks and remixes, plus one rather cheeky bootleg.

Tracklisting:

1. High Eight - Thru Time [Re:Connect]
2. Pilch - Elektrify (High Eight Remix) [MBN]
3. Future Funk Squad - Deep Inside (High Eight Dub) [Default]
4. LBJ Vs Break The Box - No Rules (High Eight Remix) [Big Square]
5. Liz Melody - Forget U (High Eight Remix) [Re:Connect]
6. High Eight - Open Your Eyes [Re:Connect]
7. Mesmer - Rowlacoaster (High Eight Remix) [Sound Of Habib]
8. Acideyes - Scrutiny (High Eight Remix) [CDR]
9. High Eight & Liz Melody - Rock My World [Re:Connect]
10. Naked Electric & LD7 - Just Say (High Eight Remix) [MBN]
11. Dan F & Jariten - Halo (High Eight Remix) [Sound Of Habib]
12. Rhythm Mechanic - Get Bent (High Eight Remix) [Clutch]
13. High Eight - Coming To [Re:Connect]
14. ID - Mission (High Eight’s Acid Breaks Remix) [Re:Connect]
15. Foo Fighters - Best Of You (High Eight’s Bootleg Breaks Mix) [CDR]

Head over to my website www.higheight.com to download it FREE!

Friday, 5 December 2008

Myagi remix contest and artist feature at Fxpansion.com!

hey all!

Just a heads up that the good people at http://www.fxpansion.com (makers of BFD and guru etc) have done a featured artist page on me and are currently hosting a remix competition for the track "Payback" off my album. Besides swag from me and copies of software from the ubercool Camel Audio company, you also get your track published via Howlin (and considering it'll be amongst remixes by Cut La Roc, Ill Gates, Dub Pistols and Nick Thayer I can say you'll be in good company).



http://www.fxpansion.com

Friday, 28 November 2008

Plump Djs - Beat Myself Up (Plump DJs Remix)

Wow this is hot - just got it in the inter-post today through whitenoise, and super excited about it. Holy crap. Proper analog madness - biggest thing from the Plumps in ages other than Rocket Soul IMO, and it totally evokes memories of the 100% unabashed tube and valve headfuckery of their old skool anthem "Scram" or something of the like. Lots of sample and hold-y ring mod-y agro sounds with a stonking beat....plus the best use of vocoders in many a year - they robo-hooks stylistically fit with the track and are not merely an attempt to sandwich a vocal in there without having to put in much thought, as is the case amongst most tracks that use that element.

The flip "London Street Music" is great too - Plumps head back into dubby rush-y breaks with some of the blatantly (and understatedly) simple rhythmic sample chopping so popular with the Herve and Sinden style crowd - this is one to make the cold sweats come on at 3 am. Big hardcore stabs and lots of different elements in the mix - feels a little bit like their remix of BT's Smartbomb but thats no bad thing.

Ace package. 9/10 from me!

Sunday, 23 November 2008

The turn around?

For the first time in years I have a bigger selection of great breakbeat stuff than great 4/4 stuff for my Truskool sessions mixes! Number 5 is on its way and I'll have it done in time for the festive season. Might just be the best one yet! I'm also signing a lot of good stuff for my Sound of Habib label so expect a lot of output there in the coming months.

Wednesday, 19 November 2008

Sharam Jey remix finally gets released!

The Johan Soh and Dan F remix of Sharam Jey's "Feel nobody" gets its long overdue release in January 2009, on the Sharam Jey "Classics" compilation, currently being promoed in the UK. Olso being promoed in the UK is my single with Myagi "Still". Here are clips of both! Comments are welcome!


Thursday, 13 November 2008

Blurg! Its another free myagi bootleg!

Just a heads up that another bootleg has made it online!

http://www.megaupload.com/?d=FRKLW4T0 <<< grab here


ALSO - The good people at Fxpansion are doing a feature on me soon, along with a remix constest for the heavy banger "Payback" off my album "3 Years Of Sunrise" - more on that soon!

Tuesday, 11 November 2008

That Girl DJ Mix - Free Download!

You can get your hands on an awesome exclusive mix for the Re:Connect website, from the one and only That Girl DJ.

That Girl DJ came to our attention as a DJ first, with her blend of breaks and dirty wonky house, at nights such as her residency at Boomslang in Cambridge, and of course her regular radio show on NSB Radio. When she brought this style over to her first tune ‘Mi Casa Su Casa‘, we knew we had to have it on the label. Her follow-up single ‘Wonk’ is nearing completion and having had a sneaky first listen we know it’s going to be another awesome release!

The lady herself has been good enough to do an exclusive mix for the website - an all-out peak time selection of dancefloor bangers covering fat bassline driven house, to breakbeat and wonky party beats.

This is a Re:Connect website members only free download. If you’re not already a member you can register here. It’s free to join, and it’ll give you access to previous free downloads, and forthcoming exclusive content. If you’re a member, simply sign in and get access to your download link.

Tracklisting:

1. Drop The Lime - Hear Me (AC Slater Remix) [Trouble & Bass]
2. Act Yo Age - The Flash (Rico Tubbs Funky Mix) [Sweat It Out!]
3. Young Punx featuring Laura Kidd - MASHitUP (Shir Khan Remix) [Mofo Hifi]
4. Laidback Luke & Roman Salzger feat Boogshe - Generation Noise (Twocker Remix) [Mixmash]
5. Lee Coombs & Katherine Ellis - Control [Lot 49]
6. Alex Schmitz - Beat Goes Boom (Stupid Fresh Remix) [Bomb Squad]
7. Deadmau5 - Hi Friend [Mau5trap]
8. Filthy Rich - Make You Freq (Miles Dyson Remix) [Control Freq Records]
9. ID - Mission (ID’s House Mix) [Re:Connect]
10. Circuit Freq - Push Button Reject (Dopamine Remix) [Circuit Freq Records]
11. Nick Thayer - I Don’t Sleep At Night [Passenger]
12. Phonat & Super Mal - Pixelated [Bandito Records]


Re:Connect Website
That Girl DJ Website
That Girl DJ's Myspace

Wednesday, 5 November 2008

Tuesday, 4 November 2008

(Another) free Myagi tune

Was going to post this tomorrow but looks like my schedule just got filled so I'll post it up today!

another bootleg I did a while back, grab and enjoy!
GRAB MP3 HERE

if youre feeling grateful, go hit up my album at Hobnox (linkage and info below) and vote for it!

Monday, 3 November 2008

Vote "3 years" at hobnox!!!!

Hey hey guys!

Thanks for the kind words on the album and the mp3 posted below - I'm going to be putting another one up for free download probably tomorrow.

In the meantime, if you have a sec, please pop by http://www.hobnox.com/3-years-of-sunrise and vote for my album if you feel so inclined. Hobnox is a great site and I'd really appreciate the support on it (you can vote every day if you feel up for it!)

Friday, 31 October 2008

Stillwell Audio Plugins

Only just came across these this week while I was finishing a remix, and they really made a huge difference to the finished track. I haven't had a chance to test every one of them out (there's quite a few available) but thought I'd give peoples a heads up. I'm thinking maybe Mr Dan F might get a bit more geeky than I can over these?



My favourites so far are their "The Rocket" Compressor, and the "Transient Monster" which is invaluable for tightening up drums, breakbeats especially. I guess some might call me a lazy producer, but I like to consider myself someone that likes getting instant results rather than having to sit and tweak stuff for hours. These plugins give me exactly that, with a large range or presets available to cover many scenarios and styles, as well as being very easy to use anyway.


Other plugins available include:

1973 - a tribute to the Neve 1073
Bad Buss Mojo - a virtual mix buss amplifier
Event Horizon - described as a "peak-eating limiter"
Major Tom - very easy to use compressor
Verbiage
- algorithmic reverb
Vibe-EQ - unique sounding EQ

Fully functioning free trial downloads are available in both Mac VST and AU, as well as Windows VST, and if you decide to buy them each plugin is very reasonably priced from around $39-$49.

Well worth checking out!


http://www.stillwellaudio.com/

Oh, and the remix in question that I mentioned earlier is my new remix of ID's "Mission" for Re:Connect, which you can hear clips of on my Myspace page, and on my website too.

http://www.myspace.com/higheight
http://www.higheight.com

Thursday, 30 October 2008

Free mp3 action - link below

Hey hey all - just a heads up that SOMEHOW a bootleg I did a couple years back has made it on the net. No clue how. Anyway, grab below, I think you'll like it - it was available for a while on wax but I figured what the hell, free music is free music. If you like it buy the original is my only disclaimer, and share with your friends, this is not for sale at all.

HERE!

Wednesday, 29 October 2008

Myagi - 3 Years Of Sunrise @ Beatport & Itunes now!


Hey hey all - I'm going to keep my promo a little less shameless for the most part, but this ones important to me so I'll go for broke with it :)

--------------------



Review clips:
"Absolutely incredible...Myagi shows his ability to change up the groove on many different levels and he does it in a very classy way. - Bijoubreaks.com

"An uplifting electronic masterpiece, 4.5 / 5 - DJ Mag Sept 08

"Possibly one of the best albums you're going to hear all year. Crossing everything from breaks, to house, to trip hop in true Canadian Ambassador to the universe fashion, this is the epitome of something you don't want to miss. - Nuskoolbreaks.co.uk

"The album evolves in an almost narrative fashion, without ever sounding too emotional in a cheesy/obvious manner...all in all it's a great album. - Wicked Style

"...fans of groups like the Chemical Brothers, Orbital or Leftfield will be instantly won over. - Frenchbreaks.com

"From tracks like "How To Test" and "In Between," all the way through to chilled out masterpieces like "ShapeShifter 1 and 2" and "I Don't Want This To End" this album is the total package.....highly recommended. - Noise Porn

You can grab it here:

Myagi - 3 Years of Sunrise

Or here!

Go to Beatport.comGet These TracksAdd This Player

Tuesday, 28 October 2008

Interview with Dave Smith (Sequential Circuits)

Just found this really cool interview with Dave Smith, founder of Sequential (Circuits), makers of the Six-Trak, the Prophet line etc.... have a watch!


Thursday, 23 October 2008

Soundcloud vs. Band Camp

Sick of paying 50% to Beatport? Do it yourself with Bandcamp. Perhaps. Videos at the link below.


I hope to hell Soundcloud have an answer for this as I find the domain name Band Camp just a bit ... camp and the SC guys seems very good at pushing forward.

Saturday, 18 October 2008

Traktor Pro

Finally! Cover artwork support in the new update (or in this case of Native Instruments it's called Crate Flick, whatever) ... my last complaint about digital DJing – browsing for music – is now sorted out. Minisite with videos of the new interface here.

Myagi Facebook Page

Myagi facebook page

Just to give y'all a heads up, I have transmorgified my facebook "group" into a facebook "page."

I don't really know what kind of difference this will make to my quality of life, but there are embedded music players and I'm going to be updating it super frequently, plus I can now pay money to have facebook show an advert about my album to really specific demographics, like "males between the ages of 37 and 38 who list the band white snake as an interest". woo hoo!


http://www.facebook.com/home.php#/pages/Myagi-Music/30143737930?ref=ts

PS

DAN F I LOVE YOUR ALBUM

Thursday, 16 October 2008

Wednesday, 15 October 2008

Phil Hartnol / Long Range interivew (Music "Long Range - Dispel The Clouds Myagi Remix")


Interview with Long Range / Phil Hartnoll (ex-Orbital) at the Urban Explorers festival 2008 Dordrecht, Netherlands from Wilbert Baan on Vimeo.

OZ TOUR ACTION!

First off - thanks to everyone who came out to see me play on my 5 Aussie 08 dates - I had a great time, and the reception at each party was awesome.

Sydney was excellent, but getting there was NOT. I was pretty bagged when I got in...I learned my lesson - for the final time - and thats to just pay the extra coin and fly direct. I flew Van to LAX, which was a pretty short hop, but LAX takes a year off my life every time I'm there. The Wolfgang Puck's is the only place that serves edible food but it looks like a kaleidoscope vomited on the walls and it gives me a headache. Burger King there actually serves something they call "Fresh Apple Fries" which look like "Freedom Fries" (french fries for those uneducated the national penchant for dumping on the French) and comes with a "Low Fat Caramel Dipping Sauce." It really made me uneasy so I ended up just killing time looking for an open wireless network and marvelling at the array of animal jerky.

I did a stopoff in Auckland as well, which was (happily) quite uneventful. Its the 4th time I've been to New Zealand but I've only ever seen the airport - quite depressing really. Getting in at 10 AM was, as always a shock to the system but I stayed at a wicked hotel called "The Establishment" and I managed to unwind before the night which was great.

After popping by a univeristy to do a quick guest interview on ffrew's radio show, Simon from Title fight headed down to the club, and it was bpouring. Laundry was a little quieter than I'm used to but the bucketing rain didn't help things at all....the club is usually rammed and a total sweat pit which is obviously lovely but that wasn't the case that friday. The mixed blessing about nights like this is that they usually turn into hardcore gong shows and that friday was no exception. I got introduced to the pleaseures of Agua, a coca leaf liquor that became a a regular feature of my nights out...kind of sweet, easy to drink, hell in the morning.

The impossibles played a great set that night. They're some of laundrys go-to guys when it comes to opening DJs and they really do a great job - mashups and boots galore and a huge range of sounds. To me, their sets sort of feel like what I'd be playing now if I'd stayed doing just big beat stuff, and thats a total complliment from my point of view as I love that shit, but just rarley find it workable in my sets anymore.

After a bit of rest I managed to get up and out in the morning for a breakfast of sushi and kimchi, and then hopped on a Jetstar flight to Melbourne. To Australia's credit, their budget airlines really are budget airlines. They dont mince words - unlike most airlines I've flown on, you pay for everything including soda, tv, etc etc....the next logical step would be to make the seatbelts ptional rentals. Was not comfy.

My good friend Sal grabbed me up from Avalon in Melbourne and we went out with her partner Warren and friend Lauren to a backpackers club where Sal (dj name lil stormer) and Warren (dj name brain - together brainstorm) play sets of rock and party music to the globetrotting crowd. Was a really good time! Lots of Ac'dc etc., and some Swedish oz-rules football team who were endlessly entertaining as the night went on.....the capped off the evening by repeatedly doing flying tackles against a couch in the backroom.

Oz is full of funny signs and this one was excellent:

Basically it states that theres a 6000 dollar fine for serving alcohol to a drunk person, and its illegal to have drunk or quarrelsome people on the premesis.

Please bear in mind this is a bar.

VERY odd.

That said, I saw a sign in Sydney stating "No smoking, penalty 20 dollars," so who am I to comment on the relevance or real-life applicability of aussie by-laws...clearly they have theirown system and it works for them, though I can't really picture people being breathalized on the way INTO a pub.

I got to hit two radio shows while I was in town, doing Nick Thayers show on the Tuesday if I remember correctly and Kiss Fm's The Drive on the thurs.

I played 2 shows in Melbourne and managed to get somewhat blotto at each one, which was excellent! Alia is a great little club with wonderful staff, and an uncomfortably small booth that does give you the distinct advantage of being almost a part of the crowd. I love places like that!

Got to meet a few breakbeat messageboard regulars including llupa, who was fairly easy to identify out of a crowd thanks to the dreads. One of the most satisfying sets I've had in ages......followed up the following night by a boat party!

Boat parties are always ace but this one was really really good....lots of great sets, people dressed up and moshing out, jellyfish and the reflection of the moon in the water, floating bits from the toilet going by.....well, ok, maybe thats not a selling point, but the tunes were awesome.

The last time I played on a boat was in Paris at a place called Batofar, which was a little more stationary than this. We didnt get out too far and were booted onshore at about 11 when it was time to head off to one of the most surreal "afterparties" I've ever been to. If the boat got a big thumbs up, the afterparty at a place called LaDeDa got a bit of a thumbs down. Would have been a good time except for the fact that it was like shoehorning one party into another. The average age of the crowd on the boat was about 27 or so I'd have guessed, and when the party moved into the club (average age probably 19) I think a good chunk of the crew felt a little zonked, or at least underdressed, and so it was time to migrate to a house party, which was a very satisfying change.

Sal and Warren's place was actually the inspiration for the album title "3 Years Of Sunrise" (my new full length peoject) as it's been 3 years or so that I've seen dawn come up over the lemon trees in their backyard. They have a great pad - the perfect party house layout, and lots of surreal plastic animal heads on the walls etc.,
and it was a great nightcap (dawncap?) to be able to sit out back and listen to about 6+ hours of post club verbal diarrhea, which I certainly added to.

Dinner with my friends Howard and Sophie is another regular event in Melbourne for me, and although I'd really liked their previous house, their new one is brilliant, and includes a great outdoor aviary for their rather playful parrots. I got groomed. I also managed to get an early night of rest, mostly as a result of my teaching Howard the joys of mojitos, in a far, far too enthusiastic manner.

My Melbourne stay was capped off with a great night out of sushi and beef sashimi....

I always love Melbourne and can't wait to get back there.

Perth is a long haul in Oz, and this was certainly the most grueling Perth trip I've had....I arrived in at about 4 pm and flew out at 8 am to Brisbane the next day. Perth show was a great catch up. I got to stay with Karl Sav who has come a LONG was as a producer in a pretty short while, and got to see my old friends Gaz, Lucy and Ian, and Mali, Jez and the rest of the 1am crew put on a great show with lots of champagne and mosh-pit action.

I was pretty zonked in Brisbane but the Moon Bar @ Empire was the best I've ever seen it. I thought I was sort of cursed in Brisbane - every time I'd played there before it was rather lackluster but this time was WAY different. Sang from Adicts hosted Rob Reng and I that night, and did a great job.

The place was packed and Reng's mix of Polka and Circuit House really worked the crowd into a frenzy. I was looking through my iphone the next day and found a note to myself saying "i stood in a pile of vomit." This is always the sign of a good night.

In all seriousness, this was a perfect cap to the tour - a REALLY great vibe, and one hell of a fun crowd to play for. I love nights where you start off wondering if you're going to make it through alive, and by the time you're playing the only thought on your mind is how much fun its going to be to rock the crowd.

As I mentioned before - a perfect cap to my set, and it left me so happy that I went off and tried to trash Ryan from Bitrok's apartment. I failed.

Thats about it really!

A great tour - one of my fave times I've ever had in Oz, and a horrible trip back (another 26 hours with layovers). I sat beside a kid who played with the light the whole way back, and the man across the aisle had really serious BO - though it could have been the odor of club grime from me reflecting off him.

Thanks to everyone who hosted me and came out to see me - I had a wonderful time and I'll see ya next year!

Friday, 3 October 2008

New headphones - we can all learn from this

I have been trying to decide what headphones to get as a reference for mixing. After chatting to the ever knowing audiophile J Hazen about it, I headed to the biggest local store to get some hands on experience. After going back and forth between a selection of 8 pairs, I narrowed it down to 3 pairs and then I pretty much decided on what cans to get and just wanted to check them with what they were demoing monitors on. I figured that if the iTunes library was good enough to check monitors, then it would be good enough for my headphones. I started off with the Prodigy and there was hardly any bottom end. No real high en either. How very strange... I checked another track and there was a bit more bottom end in that, but nothing that stod out. Now keep in mind Hazen recommended these particular cans for their sub capability, and checking Sound of Habib masters and other reference stuff on the shitty portable CD player that was hooked up to the headphone stand mixer was a real treat on the ears as the sub was nice and warm. Odd. I checked "The robots" by Kraftwerk and there was sub and even a very evident 70s high end hiss. So back to the Prodge again... as I remember the "Fat of the Land" album, it's bottom heavy... but still nothing. I right clicked the file, "get info" and yes... it was a 128kbps mp3. I right clicked the Kraftwerk file and that was a wav. Needless to say, these are great headphones and the people demoing monitors with 128k mp3s are probably not selling that many.

Beyerdynamic DT770 pro - not so great for listening to shitty mp3s.

Friday, 26 September 2008

New Karton remix to check out

If you are on facebook, as I am sure you are, then check out the Karton fan page for a listen to the brand new remix they just completed. That should get you geared up for the new Karton release on Sound of Habib in late October!

http://www.new.facebook.com/business/dashboard/?ref=sb#/pages/Karton/7677744118?ref=ts

Thursday, 25 September 2008

Nuskoolbreaks Presents @ Herbal, London 26/09/08

Just a heads up to mention that myself and a bunch of the Re:Connect artists are playing down at Herbal in London tomorrow night (Friday 26th September), alongside ex-Prodigy member Leeroy Thornhill, Kickflip and DJ Adsorb.

Here's the info if you wanna come down, it's going to be an awesome night!

NuSkoolBreaks.co.uk come back to Herbal after 3 months off, and we're looking forward to getting the bassbins working as we present Leeroy Thornhill making a rare London appearence. This guy is pure dance music legend - a former member of The Prodigy, the Worlds biggest dance act - Leeroy has been pushing beats breaks & bass in his DJ sets for years now, not only being Tour DJ on The Prodigys gigs, but playing at pretty much every major festival around the World inbetween. His latest projects on his label Electric Tastebuds have already given a taste of his future potential in the dance scene under his own guise, so we're well looking forward to see what he does on Herbals mammoth soundsystem.

MAIN ROOM

LEEROY THORNHILL
DJ ADSORB
JAY STEWART

UPSTAIRS

KICKFLIP
HIGH EIGHT VS THAT GIRL DJ
B.E.T.A
STYLUS REX
ANDY DUCKETT VS CAM

Venue : Herbal, 12-14 Kingsland Road, Shoreditch, London, E2 8DA. 9pm-3am.
Costs : £5 Earlybird Tickets (100 ONLY!), £8 Adv / £10 / NUS Free before 10pm / £8
Tickets Available from ticketweb.co.uk / 08700 600 100
http://www.ticketweb.co.uk/user/?region=gb_london&query=detail&event=283928
For guestlist or group information - email jim (at) nuskoolbreaks.co.uk
More Info : 07903 949222 / http://www.nuskoolbreaks.co.uk / http://www.herbaluk.com

TICKET LINKS & MORE INFO
http://www.nuskoolbreaks.co.uk/viewtopic.php?t=105588
http://www.new.facebook.com/event.php?eid=36321350831
http://www.ticketweb.co.uk/user/?region=gb_london&query=detail&event=283928
http://www.seetickets.com/see/price.asp?code=352001
http://www.dontstayin.com/uk/london/herbal/2008/sep/26/event-190674
http://www.skiddle.com/whats-on/London/Herbal/Herbal/11248516/
http://www.timeout.com/london/clubs/events/815492/nuskoolbreakscouk_presents.html

Tuesday, 16 September 2008

Radio tip

Here is a little tip if you are after a real quality show. Kevin FCB is a man of extremely good musical tastes and his show "Kvark Depó" (Quark Depot), on hungarian national radio station called MR2 Petőfi, covers contemporary electronic music including dancefloor genres, like house, breaks, electro, techno, minimal, disco and more leftfield mixes like experimental electronics, dub, downtempo, etc... Well worth checking out!

Tune in MR2 Petőfi on FM if you are in Hungary, or you can listen to the show live on the internet:

http://www.chi-recordings.com/angol/audio_radio_kvarkdepo.htm

Hungary - Wednesday from 0.00am (tuesday night)
London - Tuesday 23.00
New York- Tuesday 18.00
Los Angeles- Tuesday 15.00
Buenos Aires- Tuesday 19:00
Melbourne - Wednesday 8:00am
Tokyo - Wednesday 7:00am
Singapore - Wednesday 6:00am

Show archives:
#001: http://www.zshare.net/audio/18091904116bcaa3
#002: http://www.zshare.net/audio/1849246606b65ce3
#003: http://www.zshare.net/audio/1890152252852bc0

Metallica - R.I.P. Magnetic


I'm not the biggest fan of Metallica, but I am a fan of well recorded, well mixed and well mastered music.
 
Metallica and producer Rick Rubin - for reasons unknown - certainly feel otherwise! The new album Death Magnetic sounds like, well, sounds like something I would've mixed eight or nine years ago had I not known any better. With my monitors switched off. And every dial set to 11.

Having read about this on a number of music forums (and in honour to Lars Ulrich vs. Napster) I downloaded a few of the album tracks to hear for myself. Death Magentic has to be the worst casualty of the Loudness War in history. Painfully clipped. Distorted to hell. And back again. Limited to within an inch of it's life.

Go and find some FLAC versions of the CD and see for yourself. The wave form is pure comedy. Over on Gearslutz the mastering engineer on that project, Ted Jensen, was quoted to have said that he is not proud of the work and that the mix files came to him already limited to the max. Why didn't he send them back? Anyway. Not for me to speculate.

This link has all the info you could possibly want on the matter so I'm not going to recycle the author's words again for the sake of one mouse click. No matter what your thoughts are on Metallica or commercial rock music ... if you are even remotely interested in good quality, well recorded music, take 5 minutes to familiarise yourself with how not to do it.

Monday, 15 September 2008

Everybody loves free myuzyk


If you are after a fix of electronic music like no other, carefully selected by people who live and breathe it, look no further than the free netlabels. One of our favourites is Muyzyk, who have just made their 9th release available. Spread the word, download and enjoy!
http://myuzyk.net/

Sunday, 7 September 2008

400

The opening night of 400 was a complete and utter success!
The day started out with the three of us going shop to shop picking up all the stuff you need for a night. Monitors, strobes-on-a-string, pez, breakfast (quite a feat, bearing in mind it was lunchtime), a cake and the mother of all smoke machines. Then it was off down to the venue to set everything up, building the bar and sorting out the lighting. Then testing the lighting and our cunning strobe-and-smoke-under-the-stairs effect. After a brief laugh attack, brought on by the onslaught of smoke coming out of the stairs, shooting 15 metres straight ahead and with cunning precision hitting the exact spot where the dj's head is supposed to be, the fire alarm goes off and the firemen arrive within minutes. Turns out we managed to fill three floors of a massive theatre building with smoke in one brief go... The building then goes into complete shut down for about an hour to air the smoke out. Right. So we scrap the, hillarious smoke-and-strobe-under-the-stairs death trap and count our blessing that 1) we tried it at 6 in the afternoon and not at midnight, and 2) that no show was going on on the main stage, thus having to evacuate some 1500 people.
The night went on to blow expectations out of the water! The venue only holds some 200 people, wicked, intimate. We had almost 400 there over the course of the night. Here are some of our own pics plus a link to some 3rd party nightlife pics pics.


Massive thanks first of all to our amazing VJ and then of course everyone who turned up. Biweekly from now on... I will keep you posted.

Saturday, 6 September 2008

disuye084 out now

disuye084_artwork.pngd: thursday 4th september 2008
#: disuye084
1: whømp "sprinkelanlage"
2: whømp "so not so"

another pair of techno odd 'uns from the elusive mr. whømp - available now from our page at beatport.

"sprinkelanlage" was a huge favourite with former yumla resident vincent azé, who was affected by the track so much he left hong kong and started a vineyard in the south of france. this track is twitchy to say the least. words can do nothing to help us sell it. and yes, the name means 'rotary lawn sprinkler' in german, for obvious reasons. this track was first conceived in 2005, and is so far ahead of it's time ... it still doesn't fit into anyone's sets. oh well.

"so not so" is more on the dirty fuzzy electro-techno trip and sounds a bit like a unkempt pacman doing the funky chicken to the 1970's batman theme tune. just take a listen. that description does actually make sense. crowds end up looking much the same when played this track so well worth it on comedy value if nothing else.

Do you know anybody who still buys vinyl that isn't a total dick?

Get some vinyl bashing from the Guardian:

http://blogs.guardian.co.uk/music/2008/09/why_records_should_face_the_vi.html

Thursday, 4 September 2008

There never seems to be enough time

Spent last night putting the finishing touches to two Patrik Lernberger Stockholm fashion shows for the weekend, turned out really well. Been doing the music for his shows for ages, and I quite enjoy working with other creative people outside of music (I seem to end up in fashion for some reason). On that note I am also hoping to finish a new mix for the Uniforms website, a remix for Re:Connect of one of my all time favourite tracks, which has been a pain to remix because I know the original so well. On top of that we are launching the first official Sound of Habib affiliated regular night in a good 5 years, called "400" with myself and the wonderful Christoffer Falk as residents. First one on Saturday the 6th, which really should be more fun than I am entitled to. A new colaboration with Myagi will be my next single and we are about to start promo for that shortly. And that is really not even half of it...

LAX

Hello from the wonderful world of LAX where I am currently on layove en route to New Zealand. I just saw Burger King here has "apple fries" with a special - no shit - low fat caramel dipping sauce.


No one here gets out alive...... wow

Wednesday, 3 September 2008

Exclusive High Eight Mix - Free Download!

We're pretty damn good to you here at Breakbeat Royalty eh?

At last, here's the mix I spoke about in my first intro post, available for free download, and done exclusively for this blog!

Click here to download
(or Right-click and Save As)

Tracklisting is:

1. Fine Cut Bodies - Beaver Blink (Amb Remix) [Chi Recordings]
2. Platinum Mules - Fresh Start [Re:Connect]
3. LBJ Vs Break The Box - No Rules (High Eight Remix) [Big Square Records]
4. Adam Routh feat Kimberley Hale - Out Of Here (Force Mass Motion Remix) [Flux Deluxe]
5. That Girl DJ - Mi Casa Su Casa (Karl Sav Remix) [Re:Connect]
6. Retroid - Origin (Plastic Shell Remix) [Ego Shot Recordings]
7. Future Funk Squad Vs Kraymon - Firewater [En:Vision]
8. ID - Mission [Re:Connect]
9. Superpolitik - Whipped Cream (Boonos Remix) [Trickery Collective]
10. Plump DJ's - Rocket Soul [Finger Lickin']
11. Flack.su - T-Break (Beta Remix) [Glack Audio]

So there's a load of upfront stuff on there, some well ahead of release, plus some tunes that are rocking my socks at the moment.

Enjoy!

Tuesday, 2 September 2008

Flights and fixations.

Off to oz tomorrow!

Really looking forward to it except for one thing:
the flights.

ugh......

It's gotten bad over the last year - I think I'm single handedly keeping Air Canada in business as I'm sure they earn almost as much off my career as I do. 20+ Hours from Vancouver to Sydney including the dreaded layover at LAX....

Can't complain though, I'm doing Chinese Laundry this friday, two shows in Melbourne next weekend (one of which is a boat party - yay!), then Perth and Brisbane - should be a really fun tour!

On a side note - I've just installed spamarrest recently on my myagimusic account (if I haven't replied to any emails check if your accounts are auth'ed or not), and I'm still not sure about it. Mails are just not getting through, and I'm spending about 30 mins a day going through my "unverified" folder trying to dig up contracts and things that have come in from people who aren't authed on my account. I'm sure it will be a time saver eventually, and it does save me the embarassment of sitting next to some 70 year old lady on flights who's having a coronary while I delete 150 emails from topless debt-consolidating teenage nymphos, but as is, it's making me paranoid about missing crap.

Anyone remember the days of yore before this stuff was a bother?

Music biz stuff

The general idea was for me to share some know how on how to run a label, but then the Fatdrop people just do it so much better than I ever could, so you are much better off checking that out instead. Absolutely essential read if you are running a label and want to have the tools for making it work. Recent articles on promoting your music and sync licensing... what more can you ask for?

http://blog.fatdrop.co.uk/

Ooooops


heres the image for the 556 APC circuit!


Fun with electricity.

Allo allo all!  

Johan and I have been chatting for a while about this whole blogging "ting" and I must admit - I've been getting more and more into it.  I'll try and keep the cross pollination (read that as copying) from my myspace blog to this one to a bare minimum, but I'd start off with one of the most awesome vids I have ever seen - and it has been posted on my myspaz before so apologies if you've already seen it.



Ok - so obviously this is awesome, but there's something a bit more going on too - and it's something I've been thinking about more and more over the last year, and thats ways of creatively abusing technology.  

I'm currently doing some beta testing and creating some artist presets for a really well known VST company - a lot of fun but also a lot of trial and error and experimentation.  It's really cool to be working with stuff at this early phase of development, with the added bonus that with software (as opposed to teslas controlled by guitars) you can't electrocute yourself - unless you get really creative with your pc tower.

When I started off writing music, as I'm sure many people experienced as well, the whole studio was a modular synthesizer in effect.  There were no rules.  

Run a synth through a guitar amp, mic it, then feed it back into the synth, just to see what happens.  Maybe something cool comes along, maybe not.  More often than not unfortunately, at least at the beginning, but over time, you get better and better at being a bit of a mad scientist, and sooner or later you're coming up with really fun stuff on a daily basis.  

I kind of got in a little late in the multitrack recording game, and early on the budget pc music creation game - starting off as many people did with screamtracker, fasttracker 2 etc., but since those programs were only as good as the sounds you sampled in, the external gear and how you used it was still a huge factor.

Over the years (and I'm sure many other producers can agree), it's gotten a LOT easier to sound good, but the happy accidents of early experimentations tend to occur less often.  It's something that I've found sorely missing in my experience writing music, and something I've really gotten a kick out of seeing in people I've tutored over the years, or in checking out videos of the results of amateur circuit bending etc - it's totally reenergized me acutally.  I've always had delusions of being a bit of a synth nut but I'd forgotten how important that history and the history of experimentation was to me.

I've started rebuilding my studio, slowly, as I can afford it, based around the modular concept, trying really hard

For people who have never worked with a real analog synth, go out and get one.  For people who grew up with em but have been using everything thats easier, take a trip down memory lane.

A while ago I built something called an Atari Punk Console, and was lucky enough to have matrixsynth host a vid I made of it on their blog - here's a link to the circuit and if you google it you'll find you can put one of these together using radio shack parts and a twenty dollar bill (plus some solder etc).  It's not the most useful thing on the planet but it's super fun and it might make you feel a little closer to the soundmaking process.


Monday, 1 September 2008

Tech geek royalty

I just love gadgets, and this past month has been particularly good to me. Not only have I made the acquintance of the lovely Nokia e51 phone (black ffs, the silver one looks retarded), but now I am set up with a proper home network.

Been looking at getting a NAS (Network Attached Storage) for a while now and I got the QNAP 209 II Pro (yes, I keep pretending I'm a pro) in the post today. I have to say, from my first hands on experience, that it is just great. 1 hour from opening the box and doing the hardware bits, I am running a multiplatform server, streaming music and video to the mac, pc and the ps3. Maybe it is a sign of having been around the block a few decades when you are surprised when tech stuff just works out of the box, but I can't help smiling on the inside when the NAS showed up in finder (without having to look for it).

Now I can rid the old PC can's four (4) hard drives of precious label master copies and chuck them, along with all the digital music I've bought, on to a 1 TB dead silent samsung drive, available on my wireless home network AND through the net, should I need anything whilst on the road. ACE. The 209 has room for another hard drive and should 2 TB (or 1 TB raided) fill up, it is only a matter of attaching up to 3 USB drives, or drive towers, to the 209. Wicked. Doesn't look half bad either.


Snapper by AudioEase - $79



Following on my post about AudioFile Engineering Wave Editor ... here's another bit of blinding OSX software which studio types should not be without. Snapper.

Again, as with Wave Editor - cheap considering the benefits - $79 - but this time Audio Ease (makers of the absolutely f*cking awesome Speaker Phone plug-in) give you a 100 day unrestricted evaluation demo. That's 3 months, no nag, complete use. I've had Snapper onboard for a while now and am not far off buying it.

What does it do? This is going to be really mundane ... in essence Snapper is a media player & sample editor embedded into the OSX Finder. Fascinating Dan! Told you, boring as hell on paper ... but go install it now, spend a few minutes digging around your audio archives and I bet you this application will change the way you use your sample library. Forever.

Was that 'forever' to much? Over played that end sentence. Anyway, click the link, watch the information video while you download the installer.

Saturday, 30 August 2008

Greeting to All

Johan over at Beards of Habib has asked me to contribute to this new blog thingy he's put together. As this is my first post I'd like to introduce myself.

I am General Midi.

Now I've got that out the way, I can give you some indication of what you might find in the forth coming blogs. Basically, when i remember to update the thing, you'll got a whole bunch of half baked, badly research, highly opinionated, highly plausible rantings, that should amuse and sicken in turn.

Keep watching..............

x

Thursday, 28 August 2008

Wave Editor - $79



Anyone who works with audio more than as just a passing hobby should appreciate this deal on right now from the chaps at Audiofile Engineering. For the price of a few rounds of drinks, you can legitimately own an absolutely pro bit of audio editing & mastering software. No, this will not make your music sound better. But if you deal with editing, format and sample rate conversion, DDP file creation ... plus a whole bunch of stuff I don't even use it for ... this application will make your life easier. Stop using that cracked copy of Bias Peak. Get Wave Editor. Mac only.

Incidentally, I think more software should be around this price bracket. Appreciated that development costs money but in the same breath it's easy to spend $50 to $100 and be able to justify it. Charge over $250 for a single application and the whole exercise starts to get pricey ... especially like me where you have a machine full of programs, many of which only get used a handful of times per year. Wave Editor on the other hand, gets used after every track.

Wednesday, 27 August 2008

Hello Breakbeat World!

Hi all your Truskoolers out there. This is just my first post to say hello and let you know a little about me.

I'm High Eight, and I'm into all things breaks. I make tunes, I play tunes, and I run the Re:Connect Recordings label when I get some spare time.

I guess I'm really here to talk about things going on in my world, and in the breakbeat scene in general, so expect to hear about upcoming gigs, reviews of things I like, and occasionally I might even get a little geeky about some technical stuff.

Massive thanks to Johan for asking me to be part of this. Let's hope I can bring something good to the table, and with the rest of the good peoples in the team it's a table I'm very much pleased to be sitting at.

Oh, and I'm just finishing up an exclusive mix, just for this blog, for download. Watch this space for the link!

Welcome to Breakbeat Royalty - the blog

This is a blog, obviously. A blog where people of the Truskool* persuasion** share their thoughts on music, gear, gigs, running labels and well... life, really.

In a time where religion has little or no place in peoples lives, other walks of life take the role of religion, be it golf, gardening or music. Sometimes there are fanatics, but I've always thought a more relaxed approached to be desirable. We are no purits. That said, nothing gets on my nerves more than bad music, whether it is hearing it or even reading about it. But in the end bad music is all subjective. The things I react badly to are often aimed at people of the non musical persuasion. People to whom music does not matter in the way it does to me, or to the lovely people I have invited to contribute to this blog.


We will be blogging our hearts out about music (obviously) with some pretty decent focus areas: production, DJ-ing, gear, industry insights and last but not least, rants. That pretty much sums up what we will be doing here. All in good spirits, of course. And yes, there will be free music.


Let me just quickly introduce you to the first line up of contributors, hand picked for their special skills:

Johan Soh (international man of good taste), Myagi (builds his own synths, for crying out loud), High Eight (all around nice guy), Dan F (the best rants on the interweb) and General Midi (breakbeat superhero). More contributors will be added as we go along.


*Truskool (noun): A mock genre that has yet to catch on, due to marketing funds being spent elsewhere. No clear definition, although "breakbeat for grownups", "breaks, bass and beyond" and "breakbeat with a beard" have been used frequently. Broadly used to describe genre defying music of the bleepier kind.

**Persuasion (noun): An effective attention-getting device, a strong appeal to self-interest, a stimulation of desire for a product or service, and a powerful call-to-action response. (Dictionary of Business Terms, 3rd edition, Barron's Educational Series)